View fullsize I made a series of small lidded vessels during my last restock, throwing them to share the same footprint as my coffee mugs. They’re quite open in purpose, sugar, salt, rings, small trinkets, whatever you’d like them to hold since my goal
View fullsize Plum purple petal bowl, a new form, finished in a glaze I’ve set aside for very small, occasional batches of limited work during each restock. It won’t be part of any regular production line, more a tone I keep available for moments when
View fullsize I’m very pleased to introduce Adonis Flower Designers, a floral studio and workshop, as one of my new stockists. Based in Dublin, Adonis specialise in creating original and imaginative floral designs for weddings, events, and everyday moments.
View fullsize Thank you to everyone who supported my work on Saturday and for the kind response to my Spring Collection. It was really lovely to see familiar faces and meet new people at Throwing Shapes Market. A more relaxed market than previous ones, and the fi
View fullsize Petal bowls, a new addition that will be part of the Spring Collection restock. I altered the rim while the clay was still damp, creating small creases and shaping the spaces in-between. It stems from my nibble bowl form, with a touch of extra work
View fullsize A brighter glaze palette contrasting my usual earthy tones now coats the new cloud cups. These glazes were developed before the four tones that have since become my signature palette, but I never fully pursued them. Instead, they sat quietly in bucke
View fullsize *Giveaway Closed* Please note: the winner of this giveaway will collect the breakfast set at the Throwing Shapes Market on Saturday, April 25th. Details to enter are below. With my first restock of 2026 arriving at @throwingshapes___ market on Apri
View fullsize Little gestural cups, a new form I’m planning to bring into my tableware range for future restocks. They developed from a series of one-off blind box pots, but I ended up liking the form so much that it felt better suited to the table than hidd
View fullsize Three bud vase variations, dipped across four glaze tones that make up my current stoneware palette. Each one begins from the same weight of clay, before being shaped into its own distinct form. One straight, one tapered at the base, and one more bul
View fullsize Tea mug bodies resting on an old kitchen towel, paused somewhere between stages. Not quite finished or functional yet. Each one scored with a serrated rib, the surface roughed up. A layer of clay slip brushed on like glue, then the handles, prepared
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View fullsize Production is in full swing as I work towards my Spring Collection for the Throwing Shapes Market on April 25th. Sharing a few glimpses of shelves and tables filling up with pots on days that I’m not teaching friendly students. Alongside this
View fullsize A collection of my bud vases have recently found a home at @volumesdublin. You can now spot them on the tables at Volume, holding small flowers alongside top tier bagels and coffee. It’s really nice to see the work outside the studio and livin
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View fullsize Bud vases nestled in a crate, waiting to be carried carefully downstairs to the kiln. The moisture has fully evaporated. They are bone dry, still clay, only transformed after a bisque firing to 1000°C. If one were dropped before reaching the kiln
View fullsize Pouring vessels, standing at 24 cm tall, were among the final forms produced in 2025 as part of a commission. Following the language of my usual pourers, designed to sit alongside my drinkware, this version is slightly wider and more elongated, with
View fullsize A tabletop filled with small flatware forms, biscuit plates moving from leather hard to bone dry before they are carefully stacked and bisque fired later in the week. I have been refining how I production throw these. They look simple, but flatware
View fullsize Quietly producing new work to fill the empty studio shelves ahead of a restock in a few months. The studio is cold, the weather outside heavy and grey, casting a cool tone over the forms in progress, but oddly comforting to work within the space. M